Fjord House receives the Norwegian Wood Prize
The jury praised “a house that disappears into its slope” — a quiet recognition of three years of work in larch and slate above the Lustrafjord.
A small studio of six. We work in timber and daylight — houses, cabins and the occasional small public room — drawn slowly, detailed by hand.
Est. 2009 · Selected 2019—2026
We believe a building should ask little and give much — warmth, shelter, a frame around the day, and silence enough to hear the weather.
We don't chase publication, but the work has been kind enough to travel.
Every plan begins with where the sun falls in winter. Walk a year through one of our rooms and watch the daylight change — in Bergen it is never the same hour twice.
A few natural materials, detailed to weather slowly and to be repaired rather than replaced.
We are deliberately small. Every project is led from sketch to site by the same architect, and most of our drawings still begin in pencil before they become a building.
From a top-floor studio on Strandgaten we work across western Norway — and travel to every site, in every season, before we draw a line.
The jury praised “a house that disappears into its slope” — a quiet recognition of three years of work in larch and slate above the Lustrafjord.
Ingrid spoke to the second-year studio about designing around the year of light, and why we still begin every project in pencil.
A 1:20 model and a wall of site photographs, exhibited under the theme of building lightly in fragile landscapes.
We take on three or four projects a year. If yours is one we can give proper time to, we would love to hear from you.